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Queen Lucia, CHAPTER 10, part 9

CHAPTER 10, part 9

Presently they were seated; the menu, an unusual thing in itself at luncheon, was written in Italian, the scribe being clearly Lucia.

"I shall want a lot of Georgino's _tempo_ this week," she said, "for Peppino and I have quite settled we must give a little after dinner party next Saturday, and I want you to help me to arrange some impromptu tableaux. Everything impromptu must just be sketched out first, and I daresay Miss Bracely worked a great deal at her dance last night and I wish I had seen more of it. She was a little awkward in the management of her draperies I thought, but I daresay she does not know much about dancing. Still it was very graceful and effective for an amateur, and she carried it off very well." "Oh, but she is not quite an amateur," said Georgie. "She has played in Salome." Lucia pursed her lips.

"Indeed, I am sorry she played in that," she said. "With her undoubtedly great gifts I should have thought she might have found a worthier object. Naturally I have not heard it. I should be very much ashamed to be seen there. But about our tableaux now. Peppino thought we might open with the Execution of Mary Queen of Scots. It is a dreadful thing that I have lost my pearls. He would be the executioner and you the priest. Then I should like to have the awakening of Brunnhilde." "That would be lovely," said Georgie. "Have you asked Miss Olga if she will?" "Georgino mio, you don't quite understand," said Lucia. "This party is to be for Miss Bracely. I was her guest last night in spite of the gramophone, and indeed I hope she will find nothing in my house that jars on her as much as her gramophone jarred on me. I had a dreadful nightmare last night--didn't I, Peppino?--in consequence. About the Brunnhilde tableaux, I thought Peppino would be Siegfried—and perhaps you could learn just fifteen or twenty bars of the music and play it while the curtain was up. You can play the same over again if it is encored. Then how about King Cophetua and the beggar-maid. I should be with my back to the audience, and should not turn round at all; it would be quite your tableaux. We will just sketch them out, as I said, and have a grouping or two to make sure we don't get in each other's way, and I will see that there are some dresses of some kind which we can just throw on. The tableaux with a little music, serious music, would be quite sufficient to keep everybody interested."

CHAPTER 10, part 9 KAPITEL 10, Teil 9

Presently they were seated; the menu, an unusual thing in itself at luncheon, was written in Italian, the scribe being clearly Lucia.

"I shall want a lot of Georgino's _tempo_ this week," she said, "for Peppino and I have quite settled we must give a little after dinner party next Saturday, and I want you to help me to arrange some  impromptu tableaux. Everything impromptu must just be sketched out first, and I daresay Miss Bracely worked a great deal at her dance last night and I wish I had seen more of it. She was a little awkward in the management of her draperies I thought, but I daresay she does not know much about dancing. Still it was very graceful and effective for an amateur, and she carried it off very well." "Oh, but she is not quite an amateur," said Georgie. "She has played in Salome." Lucia pursed her lips.

"Indeed, I am sorry she played in that," she said. "With her undoubtedly great gifts I should have thought she might have found a worthier object. Naturally I have not heard it. I should be very much  ashamed to be seen there. But about our tableaux now. Peppino thought we might open with the Execution of Mary Queen of Scots. It is a dreadful thing that I have lost my pearls. He would be the executioner and you the priest. Then I should like to have the awakening of Brunnhilde." "That would be lovely," said Georgie. "Have you asked Miss Olga if she will?" "Georgino mio, you don't quite understand," said Lucia. "This party is to be for Miss Bracely. I was her guest last night in spite of the gramophone, and indeed I hope she will find nothing in my house  that jars on her as much as her gramophone jarred on me. I had a dreadful nightmare last night--didn't I, Peppino?--in consequence. About the Brunnhilde tableaux, I thought Peppino would be Siegfried—and perhaps you could learn just fifteen or twenty bars of the music and play it while the curtain was up. You can play the same over again if it is encored. Then how about King Cophetua and the beggar-maid. I should be with my back to the audience, and should not turn round at all; it would be quite your tableaux. We will just sketch them out, as I said, and have a grouping or two to make sure we don't get in each other's way, and I will see that there are some dresses of some kind  which we can just throw on. The tableaux with a little music, serious music, would be quite sufficient to keep everybody interested."