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Grahem The wind in the willows (a whole book), The Wind in the Willows (30)

The Wind in the Willows (30)

He patted him on the head, shoved the bundle of invitations into his paw, and told him to cut along quick and deliver them as fast as he could, and if he liked to come back again in the evening, perhaps there might be a shilling for him, or, again, perhaps there mightn't; and the poor weasel seemed really quite grateful, and hurried off eagerly to do his mission.

When the other animals came back to luncheon, very boisterous and breezy after a morning on the river, the Mole, whose conscience had been pricking him, looked doubtfully at Toad, expecting to find him sulky or depressed. Instead, he was so uppish and inflated that the Mole began to suspect something; while the Rat and the Badger exchanged significant glances.

As soon as the meal was over, Toad thrust his paws deep into his trouser-pockets, remarked casually, "Well, look after yourselves, you fellows! Ask for anything you want!" and was swaggering off in the direction of the garden, where he wanted to think out an idea or two for his coming speeches, when the Rat caught him by the arm.

Toad rather suspected what he was after, and did his best to get away; but when the Badger took him firmly by the other arm he began to see that the game was up. The two animals conducted him between them into the small smoking-room that opened out of the entrance-hall, shut the door, and put him into a chair. Then they both stood in front of him, while Toad sat silent and regarded them with much suspicion and ill-humour.

"Now, look here, Toad," said the Rat. "It's about this Banquet, and very sorry I am to have to speak to you like this. But we want you to understand clearly, once and for all, that there are going to be no speeches and no songs. Try and grasp the fact that on this occasion we're not arguing with you; we're just telling you."

Toad saw that he was trapped. They understood him, they saw through him, they had got ahead of him. His pleasant dream was shattered.

"Mayn't I sing them just one little song?" he pleaded piteously.

"No, not one little song," replied the Rat firmly, though his heart bled as he noticed the trembling lip of the poor disappointed Toad. "It's no good, Toady; you know well that your songs are all conceit and boasting and vanity; and your speeches are all self-praise and—and—well, and gross exaggeration and—and—"

"And gas," put in the Badger, in his common way.

"It's for your own good, Toady," went on the Rat. "You know you must turn over a new leaf sooner or later, and now seems a splendid time to begin; a sort of turning-point in your career. Please don't think that saying all this doesn't hurt me more than it hurts you."

Toad remained a long while plunged in thought. At last he raised his head, and the traces of strong emotion were visible on his features. "You have conquered, my friends," he said in broken accents. "It was, to be sure, but a small thing that I asked—merely leave to blossom and expand for yet one more evening, to let myself go and hear the tumultuous applause that always seems to me—somehow—to bring out my best qualities. However, you are right, I know, and I am wrong. Henceforth I will be a very different Toad. My friends, you shall never have occasion to blush for me again. But, O dear, O dear, this is a hard world!"

And, pressing his handkerchief to his face, he left the room, with faltering footsteps.

"Badger," said the Rat, "I feel like a brute; I wonder what you feel like?"

"O, I know, I know," said the Badger gloomily. "But the thing had to be done. This good fellow has got to live here, and hold his own, and be respected. Would you have him a common laughing-stock, mocked and jeered at by stoats and weasels?"

"Of course not," said the Rat. "And, talking of weasels, it's lucky we came upon that little weasel, just as he was setting out with Toad's invitations. I suspected something from what you told me, and had a look at one or two; they were simply disgraceful. I confiscated the lot, and the good Mole is now sitting in the blue boudoir, filling up plain, simple invitation cards."

At last the hour for the banquet began to draw near, and Toad, who on leaving the others had retired to his bedroom, was still sitting there, melancholy and thoughtful. His brow resting on his paw, he pondered long and deeply. Gradually his countenance cleared, and he began to smile long, slow smiles. Then he took to giggling in a shy, self-conscious manner. At last he got up, locked the door, drew the curtains across the windows, collected all the chairs in the room and arranged them in a semicircle, and took up his position in front of them, swelling visibly. Then he bowed, coughed twice, and, letting himself go, with uplifted voice he sang, to the enraptured audience that his imagination so clearly saw:

TOAD'S LAST LITTLE SONG

The Toad—came—home! There was panic in the parlours and howling in the halls, There was crying in the cow-sheds and shrieking in the stalls, When the Toad—came—home!

When the Toad—came—home!

There was smashing in of window and crashing in of door, There was chivvying of weasels that fainted on the floor, When the Toad—came—home!

Bang! go the drums! The trumpeters are tooting and the soldiers are saluting, And the cannon they are shooting and the motor-cars are hooting, As the—Hero—comes!

Shout—Hoo-ray! And let each one of the crowd try and shout it very loud, In honour of an animal of whom you're justly proud, For it's Toad's—great—day!

He sang this very loud, with great unction and expression; and when he had done, he sang it all over again.

Then he heaved a deep sigh; a long, long, long sigh.

Then he dipped his hairbrush in the water-jug, parted his hair in the middle, and plastered it down very straight and sleek on each side of his face; and, unlocking the door, went quietly down the stairs to greet his guests, who he knew must be assembling in the drawing-room.

All the animals cheered when he entered, and crowded round to congratulate him and say nice things about his courage, and his cleverness, and his fighting qualities; but Toad only smiled faintly, and murmured, "Not at all!" Or, sometimes, for a change, "On the contrary!" Otter, who was standing on the hearthrug, describing to an admiring circle of friends exactly how he would have managed things had he been there, came forward with a shout, threw his arm round Toad's neck, and tried to take him round the room in triumphal progress; but Toad, in a mild way, was rather snubby to him, remarking gently, as he disengaged himself, "Badger's was the master mind; the Mole and the Water Rat bore the brunt of the fighting; I merely served in the ranks and did little or nothing." The animals were evidently puzzled and taken aback by this unexpected attitude of his; and Toad felt, as he moved from one guest to the other, making his modest responses, that he was an object of absorbing interest to every one.

The Badger had ordered everything of the best, and the banquet was a great success. There was much talking and laughter and chaff among the animals, but through it all Toad, who of course was in the chair, looked down his nose and murmured pleasant nothings to the animals on either side of him. At intervals he stole a glance at the Badger and the Rat, and always when he looked they were staring at each other with their mouths open; and this gave him the greatest satisfaction. Some of the younger and livelier animals, as the evening wore on, got whispering to each other that things were not so amusing as they used to be in the good old days; and there were some knockings on the table and cries of "Toad! Speech! Speech from Toad! Song! Mr. Toad's song!" But Toad only shook his head gently, raised one paw in mild protest, and, by pressing delicacies on his guests, by topical small-talk, and by earnest inquiries after members of their families not yet old enough to appear at social functions, managed to convey to them that this dinner was being run on strictly conventional lines.

He was indeed an altered Toad!

After this climax, the four animals continued to lead their lives, so rudely broken in upon by civil war, in great joy and contentment, undisturbed by further risings or invasions. Toad, after due consultation with his friends, selected a handsome gold chain and locket set with pearls, which he dispatched to the gaoler's daughter, with a letter that even the Badger admitted to be modest, grateful, and appreciative; and the engine-driver, in his turn, was properly thanked and compensated for all his pains and trouble. Under severe compulsion from the Badger, even the barge-woman was, with some trouble, sought out and the value of her horse discreetly made good to her; though Toad kicked terribly at this, holding himself to be an instrument of Fate, sent to punish fat women with mottled arms who couldn't tell a real gentleman when they saw one. The amount involved, it was true, was not very burdensome, the gipsy's valuation being admitted by local assessors to be approximately correct.

Sometimes, in the course of long summer evenings, the friends would take a stroll together in the Wild Wood, now successfully tamed so far as they were concerned; and it was pleasing to see how respectfully they were greeted by the inhabitants, and how the mother-weasels would bring their young ones to the mouths of their holes, and say, pointing, "Look, baby! There goes the great Mr. Toad! And that's the gallant Water Rat, a terrible fighter, walking along o' him! And yonder comes the famous Mr. Mole, of whom you so often have heard your father tell!" But when their infants were fractious and quite beyond control, they would quiet them by telling how, if they didn't hush them and not fret them, the terrible grey Badger would up and get them. This was a base libel on Badger, who, though he cared little about Society, was rather fond of children; but it never failed to have its full effect.

The Wind in the Willows

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End of Project Gutenberg's The Wind in the Willows, by Kenneth Grahame* END OF THIS PROJECT GUTENBERG EBOOK THE WIND IN THE WILLOWS This file should be named 27805-h.htm or 27805-h.zip *This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/8/0/27805/Produced by David Edwards, Jen Haines and the OnlineDistributed Proofreading Team at http://www.pgdp.net (Thisfile was produced from images generously made availableby The Internet Archive/American Libraries. )Updated editions will replace the previous one--the old editionswill be renamed.Creating the works from public domain print editions means that noone owns a United States copyright in these works, so the Foundation(and you!) can copy and distribute it in the United States withoutpermission and without paying copyright royalties. Special rules,set forth in the General Terms of Use part of this license, apply tocopying and distributing Project Gutenberg-tm electronic works toprotect the PROJECT GUTENBERG-tm concept and trademark. ProjectGutenberg is a registered trademark, and may not be used if youcharge for the eBooks, unless you receive specific permission. If youdo not charge anything for copies of this eBook, complying with therules is very easy. You may use this eBook for nearly any purposesuch as creation of derivative works, reports, performances andresearch. They may be modified and printed and given away--you may dopractically ANYTHING with public domain eBooks. Redistribution issubject to the trademark license, especially commercialredistribution.

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The Wind in the Willows (30) Der Wind in den Weiden (30)

He patted him on the head, shoved the bundle of invitations into his paw, and told him to cut along quick and deliver them as fast as he could, and if he liked to come back again in the evening, perhaps there might be a shilling for him, or, again, perhaps there mightn't; and the poor weasel seemed really quite grateful, and hurried off eagerly to do his mission.

When the other animals came back to luncheon, very boisterous and breezy after a morning on the river, the Mole, whose conscience had been pricking him, looked doubtfully at Toad, expecting to find him sulky or depressed. Instead, he was so uppish and inflated that the Mole began to suspect something; while the Rat and the Badger exchanged significant glances.

As soon as the meal was over, Toad thrust his paws deep into his trouser-pockets, remarked casually, "Well, look after yourselves, you fellows! Ask for anything you want!" and was swaggering off in the direction of the garden, where he wanted to think out an idea or two for his coming speeches, when the Rat caught him by the arm.

Toad rather suspected what he was after, and did his best to get away; but when the Badger took him firmly by the other arm he began to see that the game was up. The two animals conducted him between them into the small smoking-room that opened out of the entrance-hall, shut the door, and put him into a chair. Then they both stood in front of him, while Toad sat silent and regarded them with much suspicion and ill-humour.

"Now, look here, Toad," said the Rat. "It's about this Banquet, and very sorry I am to have to speak to you like this. But we want you to understand clearly, once and for all, that there are going to be no speeches and no songs. Try and grasp the fact that on this occasion we're not arguing with you; we're just telling you."

Toad saw that he was trapped. They understood him, they saw through him, they had got ahead of him. His pleasant dream was shattered.

"Mayn't I sing them just one little song?" he pleaded piteously.

"No, not one little song," replied the Rat firmly, though his heart bled as he noticed the trembling lip of the poor disappointed Toad. "It's no good, Toady; you know well that your songs are all conceit and boasting and vanity; and your speeches are all self-praise and—and—well, and gross exaggeration and—and—"

"And gas," put in the Badger, in his common way.

"It's for your own good, Toady," went on the Rat. "You know you must turn over a new leaf sooner or later, and now seems a splendid time to begin; a sort of turning-point in your career. Please don't think that saying all this doesn't hurt me more than it hurts you."

Toad remained a long while plunged in thought. At last he raised his head, and the traces of strong emotion were visible on his features. "You have conquered, my friends," he said in broken accents. "It was, to be sure, but a small thing that I asked—merely leave to blossom and expand for yet one more evening, to let myself go and hear the tumultuous applause that always seems to me—somehow—to bring out my best qualities. However, you are right, I know, and I am wrong. Henceforth I will be a very different Toad. My friends, you shall never have occasion to blush for me again. But, O dear, O dear, this is a hard world!"

And, pressing his handkerchief to his face, he left the room, with faltering footsteps.

"Badger," said the Rat, "I feel like a brute; I wonder what you feel like?"

"O, I know, I know," said the Badger gloomily. "But the thing had to be done. This good fellow has got to live here, and hold his own, and be respected. Would you have him a common laughing-stock, mocked and jeered at by stoats and weasels?"

"Of course not," said the Rat. "And, talking of weasels, it's lucky we came upon that little weasel, just as he was setting out with Toad's invitations. I suspected something from what you told me, and had a look at one or two; they were simply disgraceful. I confiscated the lot, and the good Mole is now sitting in the blue boudoir, filling up plain, simple invitation cards."

At last the hour for the banquet began to draw near, and Toad, who on leaving the others had retired to his bedroom, was still sitting there, melancholy and thoughtful. His brow resting on his paw, he pondered long and deeply. Gradually his countenance cleared, and he began to smile long, slow smiles. Then he took to giggling in a shy, self-conscious manner. At last he got up, locked the door, drew the curtains across the windows, collected all the chairs in the room and arranged them in a semicircle, and took up his position in front of them, swelling visibly. Then he bowed, coughed twice, and, letting himself go, with uplifted voice he sang, to the enraptured audience that his imagination so clearly saw:

TOAD'S LAST LITTLE SONG

The Toad—came—home! There was panic in the parlours and howling in the halls, There was crying in the cow-sheds and shrieking in the stalls, When the Toad—came—home!

When the Toad—came—home!

There was smashing in of window and crashing in of door, There was chivvying of weasels that fainted on the floor, When the Toad—came—home! Es wurde das Fenster eingeschlagen und die Tür wurde eingeschlagen. Es gab Wiesel, die auf dem Boden in Ohnmacht fielen. Als die Kröte nach Hause kam!

Bang! go the drums! The trumpeters are tooting and the soldiers are saluting, And the cannon they are shooting and the motor-cars are hooting, As the—Hero—comes!

Shout—Hoo-ray! And let each one of the crowd try and shout it very loud, In honour of an animal of whom you're justly proud, For it's Toad's—great—day!

He sang this very loud, with great unction and expression; and when he had done, he sang it all over again.

Then he heaved a deep sigh; a long, long, long sigh.

Then he dipped his hairbrush in the water-jug, parted his hair in the middle, and plastered it down very straight and sleek on each side of his face; and, unlocking the door, went quietly down the stairs to greet his guests, who he knew must be assembling in the drawing-room.

All the animals cheered when he entered, and crowded round to congratulate him and say nice things about his courage, and his cleverness, and his fighting qualities; but Toad only smiled faintly, and murmured, "Not at all!" Or, sometimes, for a change, "On the contrary!" Otter, who was standing on the hearthrug, describing to an admiring circle of friends exactly how he would have managed things had he been there, came forward with a shout, threw his arm round Toad's neck, and tried to take him round the room in triumphal progress; but Toad, in a mild way, was rather snubby to him, remarking gently, as he disengaged himself, "Badger's was the master mind; the Mole and the Water Rat bore the brunt of the fighting; I merely served in the ranks and did little or nothing." The animals were evidently puzzled and taken aback by this unexpected attitude of his; and Toad felt, as he moved from one guest to the other, making his modest responses, that he was an object of absorbing interest to every one.

The Badger had ordered everything of the best, and the banquet was a great success. There was much talking and laughter and chaff among the animals, but through it all Toad, who of course was in the chair, looked down his nose and murmured pleasant nothings to the animals on either side of him. At intervals he stole a glance at the Badger and the Rat, and always when he looked they were staring at each other with their mouths open; and this gave him the greatest satisfaction. Some of the younger and livelier animals, as the evening wore on, got whispering to each other that things were not so amusing as they used to be in the good old days; and there were some knockings on the table and cries of "Toad! Speech! Speech from Toad! Song! Mr. Toad's song!" But Toad only shook his head gently, raised one paw in mild protest, and, by pressing delicacies on his guests, by topical small-talk, and by earnest inquiries after members of their families not yet old enough to appear at social functions, managed to convey to them that this dinner was being run on strictly conventional lines.

He was indeed an altered Toad!

After this climax, the four animals continued to lead their lives, so rudely broken in upon by civil war, in great joy and contentment, undisturbed by further risings or invasions. Toad, after due consultation with his friends, selected a handsome gold chain and locket set with pearls, which he dispatched to the gaoler's daughter, with a letter that even the Badger admitted to be modest, grateful, and appreciative; and the engine-driver, in his turn, was properly thanked and compensated for all his pains and trouble. Under severe compulsion from the Badger, even the barge-woman was, with some trouble, sought out and the value of her horse discreetly made good to her; though Toad kicked terribly at this, holding himself to be an instrument of Fate, sent to punish fat women with mottled arms who couldn't tell a real gentleman when they saw one. The amount involved, it was true, was not very burdensome, the gipsy's valuation being admitted by local assessors to be approximately correct.

Sometimes, in the course of long summer evenings, the friends would take a stroll together in the Wild Wood, now successfully tamed so far as they were concerned; and it was pleasing to see how respectfully they were greeted by the inhabitants, and how the mother-weasels would bring their young ones to the mouths of their holes, and say, pointing, "Look, baby! There goes the great Mr. Toad! And that's the gallant Water Rat, a terrible fighter, walking along o' him! And yonder comes the famous Mr. Mole, of whom you so often have heard your father tell!" But when their infants were fractious and quite beyond control, they would quiet them by telling how, if they didn't hush them and not fret them, the terrible grey Badger would up and get them. This was a base libel on Badger, who, though he cared little about Society, was rather fond of children; but it never failed to have its full effect.

The Wind in the Willows

Back Page Logo

Back Fly CoverBack Fly Cover Back Fly Leaf

End of Project Gutenberg's The Wind in the Willows, by Kenneth Grahame*** END OF THIS PROJECT GUTENBERG EBOOK THE WIND IN THE WILLOWS ******** This file should be named 27805-h.htm or 27805-h.zip *****This and all associated files of various formats will be found in:        http://www.gutenberg.org/2/7/8/0/27805/Produced by David Edwards, Jen Haines and the OnlineDistributed Proofreading Team at http://www.pgdp.net (Thisfile was produced from images generously made availableby The Internet Archive/American Libraries. )Updated editions will replace the previous one--the old editionswill be renamed.Creating the works from public domain print editions means that noone owns a United States copyright in these works, so the Foundation(and you!) can copy and distribute it in the United States withoutpermission and without paying copyright royalties. Special rules,set forth in the General Terms of Use part of this license, apply tocopying and distributing Project Gutenberg-tm electronic works toprotect the PROJECT GUTENBERG-tm concept and trademark. ProjectGutenberg is a registered trademark, and may not be used if youcharge for the eBooks, unless you receive specific permission. If youdo not charge anything for copies of this eBook, complying with therules is very easy. You may use this eBook for nearly any purposesuch as creation of derivative works, reports, performances andresearch. They may be modified and printed and given away--you may dopractically ANYTHING with public domain eBooks. Redistribution issubject to the trademark license, especially commercialredistribution.