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Nature by Ralph Waldo Emerson, CHAPTER I. NATURE

CHAPTER I. NATURE

TO go into solitude, a man needs to retire as much from his chamber as from society. I am not solitary whilst I read and write, though nobody is with me. But if a man would be alone, let him look at the stars. The rays that come from those heavenly worlds, will separate between him and what he touches. One might think the atmosphere was made transparent with this design, to give man, in the heavenly bodies, the perpetual presence of the sublime. Seen in the streets of cities, how great they are! If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.

The stars awaken a certain reverence, because though always present, they are inaccessible; but all natural objects make a kindred impression, when the mind is open to their influence. Nature never wears a mean appearance. Neither does the wisest man extort her secret, and lose his curiosity by finding out all her perfection. Nature never became a toy to a wise spirit. The flowers, the animals, the mountains, reflected the wisdom of his best hour, as much as they had delighted the simplicity of his childhood.

When we speak of nature in this manner, we have a distinct but most poetical sense in the mind. We mean the integrity of impression made by manifold natural objects. It is this which distinguishes the stick of timber of the wood-cutter, from the tree of the poet. The charming landscape which I saw this morning, is indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape. There is a property in the horizon which no man has but he whose eye can integrate all the parts, that is, the poet. This is the best part of these men's farms, yet to this their warranty-deeds give no title. To speak truly, few adult persons can see nature. Most persons do not see the sun. At least they have a very superficial seeing. The sun illuminates only the eye of the man, but shines into the eye and the heart of the child. The lover of nature is he whose inward and outward senses are still truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood. His intercourse with heaven and earth, becomes part of his daily food. In the presence of nature, a wild delight runs through the man, in spite of real sorrows. Nature says,—he is my creature, and maugre all his impertinent griefs, he shall be glad with me. Not the sun or the summer alone, but every hour and season yields its tribute of delight; for every hour and change corresponds to and authorizes a different state of the mind, from breathless noon to grimmest midnight. Nature is a setting that fits equally well a comic or a mourning piece. In good health, the air is a cordial of incredible virtue. Crossing a bare common, in snow puddles, at twilight, under a clouded sky, without having in my thoughts any occurrence of special good fortune, I have enjoyed a perfect exhilaration. I am glad to the brink of fear. In the woods too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods, is perpetual youth. Within these plantations of God, a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. In the woods, we return to reason and faith. There I feel that nothing can befall me in life,—no disgrace, no calamity, (leaving me my eyes,) which nature cannot repair. Standing on the bare ground,—my head bathed by the blithe air, and uplifted into infinite space,—all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God. The name of the nearest friend sounds then foreign and accidental: to be brothers, to be acquaintances,—master or servant, is then a trifle and a disturbance. I am the lover of uncontained and immortal beauty. In the wilderness, I find something more dear and connate than in streets or villages. In the tranquil landscape, and especially in the distant line of the horizon, man beholds somewhat as beautiful as his own nature.

The greatest delight which the fields and woods minister, is the suggestion of an occult relation between man and the vegetable. I am not alone and unacknowledged. They nod to me, and I to them. The waving of the boughs in the storm, is new to me and old. It takes me by surprise, and yet is not unknown. Its effect is like that of a higher thought or a better emotion coming over me, when I deemed I was thinking justly or doing right.

Yet it is certain that the power to produce this delight, does not reside in nature, but in man, or in a harmony of both. It is necessary to use these pleasures with great temperance. For, nature is not always tricked in holiday attire, but the same scene which yesterday breathed perfume and glittered as for the frolic of the nymphs, is overspread with melancholy today. Nature always wears the colors of the spirit. To a man laboring under calamity, the heat of his own fire hath sadness in it. Then, there is a kind of contempt of the landscape felt by him who has just lost by death a dear friend. The sky is less grand as it shuts down over less worth in the population.

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CHAPTER I. NATURE KAPITEL(1)|| KAPITEL I. NATUR CAPÍTULO I. NATURALEZA CAPITOLO I. NATURA 第一章 自然 I SKYRIUS. GAMTA CAPÍTULO I. NATUREZA BÖLÜM I. DOĞA 第一章 自然

TO go into solitude, a man needs to retire as much from his chamber as from society. |||孤独|||需要||退隐|||||房间|||社会 |||Einsamkeit|||||sich zurückziehen|||||Kammer||| 孤独に陥るには、人は社会から離れるのと同じくらい自分の部屋からも引退する必要があります。 I am not solitary whilst I read and write, though nobody is with me. |||孤单|当||||||没有人||| |||einsam|während||||||||| 誰も私と一緒にいなくても、読み書きしている間、私は孤独ではありません。 But if a man would be alone, let him look at the stars. ||||||一个人||||||星星 ||||||||||||Sterne しかし、人が一人になりたいのなら、星を見させてください。 The rays that come from those heavenly worlds, will separate between him and what he touches. |光线|||||天上的|世界||分开||||||他所触及的 |Strahlen|||||himmlischen|Welten||||||||berührt それらの天国から来る光線は、彼と彼が触れるものとの間を分離します。 One might think the atmosphere was made transparent with this design, to give man, in the heavenly bodies, the perpetual presence of the sublime. |可以|||||||||||||||||||||| |||||||transparent||||||||||Himmelskörper||ewigen||||Erhabenen このデザインで大気が透明になり、天体の中で人間に崇高な存在が絶え間なく存在するようになったと考える人もいるかもしれません。 Seen in the streets of cities, how great they are! 街の通りで見ると、なんと素晴らしいことでしょう。 If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! ||||||||||||||||verehren|||||||Erinnerung|||||||||gezeigt 千年に一度の夜に星が現れるとしたら、人々はどのように信じ、崇拝するでしょうか。そして、示されてきた神の都の記憶を何世代にもわたって保存してください! But every night come out these envoys of beauty, and light the universe with their admonishing smile. ||||||Boten|||||||||ermahnenden|Lächeln しかし、毎晩これらの美の使者が出てきて、彼らの忠告的な笑顔で宇宙を照らします.

The stars awaken a certain reverence, because though always present, they are inaccessible; but all natural objects make a kindred impression, when the mind is open to their influence. ||wecken|||Ehrfurcht|||||||unerreichbar||||Gegenstände|||verwandt||||||||| 星は、常に存在しているにもかかわらず、アクセスできないため、特定の敬意を呼び起こします。しかし、心がそれらの影響に対して開かれているとき、すべての自然物は同種の印象を与えます。 Nature never wears a mean appearance. ||trägt||gemeine|Erscheinung 自然は決して卑劣な外見を身に着けることはありません。 Neither does the wisest man extort her secret, and lose his curiosity by finding out all her perfection. weder|||weisseste||erpressen||||verliert||Neugier|||||| 最も賢い男は、彼女の秘密を強要したり、彼女の完璧さをすべて見つけて好奇心を失ったりすることもありません. Nature never became a toy to a wise spirit. ||||Spielzeug|||| 自然は賢明な精神のおもちゃにはなりませんでした。 The flowers, the animals, the mountains, reflected the wisdom of his best hour, as much as they had delighted the simplicity of his childhood. |||Tiere||Berge|||Weisheit||||||||||||Einfachheit||| 花、動物、山は、彼の子供時代の素朴さを喜ばせたのと同様に、彼の最盛期の知恵を反映していました。

When we speak of nature in this manner, we have a distinct but most poetical sense in the mind. |||||||||||deutlichen|||poetischen|||| このように自然について話すとき、私たちは心に独特の、しかし最も詩的な感覚を持っています。 We mean the integrity of impression made by manifold natural objects. |meinen||Integrität|||||vielfältigen|| 私たちは、多様な自然物によって作られる印象の完全性を意味します。 It is this which distinguishes the stick of timber of the wood-cutter, from the tree of the poet. |||||||||||Holz|Holzfäller|||||| これが、木こりの材木と詩人の木を区別するものです。 The charming landscape which I saw this morning, is indubitably made up of some twenty or thirty farms. |charmante||||gesehen||||zweifellos||||||||Höfen Miller owns this field, Locke that, and Manning the woodland beyond. Miller||||Locke|||||Waldgebiet| But none of them owns the landscape. |keiner||||| There is a property in the horizon which no man has but he whose eye can integrate all the parts, that is, the poet. |||Eigenschaft|||Horizont||||||||||integrieren||||||| This is the best part of these men's farms, yet to this their warranty-deeds give no title. |||||||der Männer||||||Gewährleistung|Urkunden|||Eigentumstitel To speak truly, few adult persons can see nature. |||||Menschen||| Most persons do not see the sun. At least they have a very superficial seeing. ||||||oberflächlich| The sun illuminates only the eye of the man, but shines into the eye and the heart of the child. ||beleuchtet||||||||||||||||| The lover of nature is he whose inward and outward senses are still truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood. |Liebhaber||||||inneren||äußeren|||||eingestellt||||||bewahrt||||Kindheit||||||Männlichkeit His intercourse with heaven and earth, becomes part of his daily food. |Umgang|||||||||| In the presence of nature, a wild delight runs through the man, in spite of real sorrows. ||||||wild||läuft|||||trotz|||Sorgen Nature says,—he is my creature, and maugre all his impertinent griefs, he shall be glad with me. |sagt||||Geschöpf||trotz|||unverschämten|Kümmernisse||||froh|| Not the sun or the summer alone, but every hour and season yields its tribute of delight; for every hour and change corresponds to and authorizes a different state of the mind, from breathless noon to grimmest midnight. ||||||||||||bringt||Tribut||Freude||||||entspricht|||ermächtigt||||||||atemlos|Mittag||grimmsten|Mitternacht Nature is a setting that fits equally well a comic or a mourning piece. |||||passt|||||||Trauermärchen| In good health, the air is a cordial of incredible virtue. ||Gesundheit|||||Trank||incredible|Wirkung Crossing a bare common, in snow puddles, at twilight, under a clouded sky, without having in my thoughts any occurrence of special good fortune, I have enjoyed a perfect exhilaration. Überquerung||einem kahlen|Gemeinde||Schnee|Pfützen||Dämmerung|||bewölkten||||||||Ereignis||||Glück||||||Begeisterung Atravessando um descampado, em poças de neve, ao crepúsculo, sob um céu nublado, sem ter em mente qualquer acontecimento de especial sorte, desfrutei de uma perfeita euforia. I am glad to the brink of fear. |||||Rand||Angst Estou feliz à beira do medo. In the woods too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. ||Wald||||wirft|ab|||||Schlange||Haut|||||auch immer|||||| Também nos bosques, o homem se despe dos seus anos, como a serpente do seu lamaçal, e, em qualquer altura da vida, é sempre uma criança. In the woods, is perpetual youth. Within these plantations of God, a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. ||Plantagen||||Anstand||Heiligkeit|herrscht||ewiges|||gekleidet|||||||||sich langweilen|||||| In the woods, we return to reason and faith. ||||||||Glauben There I feel that nothing can befall me in life,—no disgrace, no calamity, (leaving me my eyes,) which nature cannot repair. ||||||zustoßen|||||Schande||Unglück||||||||reparieren Standing on the bare ground,—my head bathed by the blithe air, and uplifted into infinite space,—all mean egotism vanishes. |||nackten|||Kopf|badet|||frohen|||erhoben||unendlichen||||Egoismus|verschwindet I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God. |||||auge||||||||Strömungen|||Universellen||zirkulieren|||||||Teil|| The name of the nearest friend sounds then foreign and accidental: to be brothers, to be acquaintances,—master or servant, is then a trifle and a disturbance. ||||nächsten|||||||||Brüder|||Bekannte|||Diener||||Kleinigkeit|||Störung I am the lover of uncontained and immortal beauty. |||||ungebändigter||unsterblicher| In the wilderness, I find something more dear and connate than in streets or villages. ||Wildnis|||||||verbunden||||| In the tranquil landscape, and especially in the distant line of the horizon, man beholds somewhat as beautiful as his own nature. ||ruhigen|||||||Linie|||||sieht|||||||

The greatest delight which the fields and woods minister, is the suggestion of an occult relation between man and the vegetable. ||||||||gewähren|||Vorschlag|||okkult||||||Pflanze I am not alone and unacknowledged. |||||unanerkannt They nod to me, and I to them. |nicken|||||| The waving of the boughs in the storm, is new to me and old. |Winken|||Äste|||Sturm|||||| It takes me by surprise, and yet is not unknown. ||||Überraschung||||| Its effect is like that of a higher thought or a better emotion coming over me, when I deemed I was thinking justly or doing right. ||||||||||||Gefühl||||||meinte||||gerecht|||

Yet it is certain that the power to produce this delight, does not reside in nature, but in man, or in a harmony of both. |||||||||||||liegt||||||||||| It is necessary to use these pleasures with great temperance. ||||||Freuden|||Mäßigung For, nature is not always tricked in holiday attire, but the same scene which yesterday breathed perfume and glittered as for the frolic of the nymphs, is overspread with melancholy today. |||||getäuscht|||Gewand||||Szene||gestern||||glänzte||||Frohsinn|||Nymphen||übersät||Melancholie| Nature always wears the colors of the spirit. ||trägt||Farben||| To a man laboring under calamity, the heat of his own fire hath sadness in it. |||der unter||Unglück||Hitze||||Feuer|hat|Traurigkeit|| Then, there is a kind of contempt of the landscape felt by him who has just lost by death a dear friend. ||||||Verachtung||||||||||||Tod||lieber| The sky is less grand as it shuts down over less worth in the population. |Himmel||||||sich|||||||Bevölkerung